Når Verden bliver Sort/Hvid

Når Verden bliver sort/hvid får jeg lyst til at tegne. Alle vinduer i atelieret er som forvandlede til mange små passe partout
for grafiske virkninger. Hvide flader, sorte linier, filigran-agtige streger: alt dette p.g.a. sne, sne og mere sne . . .

Min før så grønne udsigt er erstattet af en sort/hvid verden der appellerer stærkt til at finde tusch, blæk, kul og godt,
hvidt tegnepapir frem. Holde en pause fra Tunø Turens farve eksplosioner og tænke som en grafiker. Igen.

Galerie Gora 2006

The video from my Exhibition at Galerie Gora 2006. Gallery Gora are located in
the heart of Montreal’s cultural life, in a magnificent 8500 sq.ft. space
that holds over 300 works from local and international artists.

Sfumato Days

Sfumato
(from Italian sfumare, 'to tone down,' or 'to evaporate like smoke'), in painting or drawing, term designating fine shading that produces soft, imperceptible transitions between colours and tones.
It is used most often in connection with the work of Leonardo da Vinci and his followers, who made subtle gradations, without lines or borders, from light to dark areas.

"sfumato." Encyclopædia Britannica. 2006.

The painting: "Blush" 2007. (40 x 40 cm).
More works? They have their own site.

Emerald Green Triptychon

Christmas Exhibition

'Favorite Trees' by Elin Neumann and the sculpture 'Loss' by Ulla Villefrance Salling-Mortensen



'Golden Day' by Elin Neumann



'Deep orange Impact' by Elin Neumann

Christmas Exhibition and Much More . . .

'Bjerget' - 'The Mountain' - by Elin Neumann


'Green Lake' and 'Red Horizon by Elin Neumann



'Overblik' - sculpture by Ulla Villefrance Salling-Mortensen. Billedtavler by Hanne Mathiessen




Sculpture by Ulla Villefrance Salling-Mortensen and 'Summer Showers' by Elin Neumann

Workshop: Japanese Wind Drawing

Drawing with ink and a branch from Hazel. Drawing in the wind with repetitive movements. These drawings reflect an
intimate response to the immediate landscape by ‘mapping’ the overlooked movement of varied grasses and trees in the wind.
The grasses, especially, – when dipped into ink create the drawings themselves through idiosyncratic, repetitive movements.